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<channel>
	<title>Flaviu Rogojan</title>
	<link>https://flaviurogojan.com</link>
	<description>Flaviu Rogojan</description>
	<pubDate>Mon, 10 Apr 2023 23:31:45 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://flaviurogojan.com/Home</link>

		<pubDate>Wed, 05 Apr 2023 18:29:02 +0000</pubDate>

		<dc:creator>Flaviu Rogojan</dc:creator>

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		<title>Lonesome Rover</title>
				
		<link>https://flaviurogojan.com/Lonesome-Rover</link>

		<pubDate>Wed, 05 Apr 2023 18:29:03 +0000</pubDate>

		<dc:creator>Flaviu Rogojan</dc:creator>

		<guid isPermaLink="true">https://flaviurogojan.com/Lonesome-Rover</guid>

		<description>&#60;img width="3448" height="4592" width_o="3448" height_o="4592" data-src="https://freight.cargo.site/t/original/i/d4d7b16d94018d7321c4779f5cbff0e5323e5cf5a570ae994a25cc492419280b/002-P1110672_edit.jpg" data-mid="174815830" border="0"  src="https://freight.cargo.site/w/1000/i/d4d7b16d94018d7321c4779f5cbff0e5323e5cf5a570ae994a25cc492419280b/002-P1110672_edit.jpg" /&#62;
	

Lonesome Rover, 2023Robot dog, robot dog memory sticks, acrylic paint on cardboard, acrylic paint on windows, dye transfer on paper.



Exhibition:&#38;nbsp;



Lonesome Rover 
- Solo Show at Wunderkammer Naturalia →curator:&#38;nbsp;

Jan Nicola Angermann


04. 03. 2023 ‒ 13. 05. 2023at Wunderkammer Naturalia / Artificialia, Stuttgart, Germany






This Sony AIBO is a robotic pet, now twenty-two years old. Produced at the turn of the millennium, in 2001, it was at the forefront of consumer electronic technology with features such as AI learning, computer vision, owners’ voice recognition, and even Wi-Fi connectivity. Designed to develop an individual character based on its environment and the way the owner raises their AIBO, each robot pet grows to have a unique personality and a unique set of memories. AIBO's lifelike movements and playful personality, combined with its advanced artificial intelligence and robotics technology, create a sense of connection and empathy that is rare in other machines. For many people, AIBO is more than just a pet or a machine; it is a companion that they can interact with and care for on an emotional level. When AIBOs are retired or stop functioning, many owners experience feelings of loss and sadness, for they have lost a beloved pet.
Sony stopped producing and supporting the original AIBO series in 2006. The limited amount of custom proprietary hardware and software formats produced until then is running out, spare parts are hard to find, and repairing the little pets is increasingly difficult as time goes on. Their unique personalities are copy-protected and encoded on particular pink memory sticks, specifically manufactured for use in robot pets. But with fewer and fewer functioning bodies the original AIBO is a dying breed. AIBO sits in the Wunderkammer Naturalia, not as an imitation of nature, but as a receiver of empathy. Drawing from the science-fiction tradition of blurring ethical lines between human and android; real life and artificial life; replicants, robots, and uploaded consciousness, the dead-battery puppy eyes gaze out of the window. They ask, what kind of emotional connections do you have with technology? What connections do you have with other life? Artificial or not?

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Photo credits:&#38;nbsp;Jan Nicola Angermann</description>
		
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		<title>Raygun</title>
				
		<link>https://flaviurogojan.com/Raygun</link>

		<pubDate>Wed, 05 Apr 2023 18:29:03 +0000</pubDate>

		<dc:creator>Flaviu Rogojan</dc:creator>

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Lecture 9: Rayguns designs uncovered at 2nd or 3rd Millenium Sites, 2021Full HD Video Length: 24 min 51 sec







Set in the far future, fictional archaeologists deliver a video lecture about recent artifacts they discovered, a set of rusty light guns from the 2nd or 3rd millenium CE.
 The video argues that there is a connection between theories of vision and the history of conflict. Recognizing the historical importance of these light weapons, the archeologists compare their impact to the paradigm shift of the 1st
millennium revolution in optics caused by Ibn Al-Haytham, and the 3rd millenium 3D rendering technology called Raytracing. 
In a virtual world
dictated by Cartesian coordinate grids, scans of real archaeological digs of ancient sites sit alongside fictional archaeological sites
of the Rayguns, and illustrations redrawn from medieval books on optics tower over the ruins. Among the many references, the lecture is a mix of fiction and sourced texts: from ancient and
modern theories of vision, to excerpts from an Al Jazeera report on a particle accelerator in the middle east, 1930s Flash Gordon episodes, and the haunting footage of
Wikileaks’ collateral crime.






&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/96c43d71818460716f0aad4c43dc4ceafb531ad3a2b0bc6ddfd30bbbf1246284/Flaviu-Rogojan-3.jpg" data-mid="174816327" border="0"  src="https://freight.cargo.site/w/1000/i/96c43d71818460716f0aad4c43dc4ceafb531ad3a2b0bc6ddfd30bbbf1246284/Flaviu-Rogojan-3.jpg" /&#62;



Installation view from:
Landscape in a Convex Mirror →01. 10. 2021 - 07. 11. 2021curated by: Mihnea Mircan

Art Encounters Biennial Timișoara, Romania



Raygun, 2017-2021Glazed ceramics, metal shelving, transport boxes, 1m measuring stick, gun sight, Zenit FS-12 Fotosnaiper camera, NATO blank ammunition box, military portable TV, Full HD TV &#38;amp; speakers.





The body of work revolves around a little known fun-fact: the 1980s Nintendo toy light guns “kill” their target by actually taking a digital photo of the
TV. Contrary to expectations raised by the raygun design, the guns don’t emit any light or rays, but instead allow the screen’s light to enter the pistol barrel to register a hit. This reversal of the direction of the rays reflects a debate in ancient and medieval theories of vision, and also hints at the role of digital image making in
warfare.&#38;nbsp; Staged as an archaeological discovery in a fictional
future, these toy guns are reinterpreted as historical weapons of seeing and imaging.









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&#60;img width="5462" height="3641" width_o="5462" height_o="3641" data-src="https://freight.cargo.site/t/original/i/1d537f0e266db1babe746cbac8fe9ddd97e535bf13a9433132da7eb03f350456/IMG_4577.jpg" data-mid="174819097" border="0"  src="https://freight.cargo.site/w/1000/i/1d537f0e266db1babe746cbac8fe9ddd97e535bf13a9433132da7eb03f350456/IMG_4577.jpg" /&#62;





Raygun (solo show) →

02. 02. 2017 - 28. 02. 2017Camera K’Arte, Târgu Mureș, Romania






Raygun, 2017
Glazed ceramics, metal shelving, prints on transparent PVCIn the installation, a fictional archaeological museum’s storage shelves serve as the resting place for fictional artifacts. In this sci-fi world set in the far future,
archaeologists uncovered Rayguns from 2nd or 3rd millenium CE, light pistols that work not by shooting bullets or laser beams,
but kill by letting light in. Based on the Nintendo Zapper and other 1980s console light guns, the weapons are designed to
take zoomed-in photographs of the screen to decide whether the player hit or missed. The ceramic artifacts hide a story of reversals, 
of cameras as weapons, and digital image-making as a means for
violence.





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hax! (solo show) →03. 10. 2019 ‒ 31. 10. 2019at Galerie Klubovna, Brno, Czech Republic











&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/45ab57561c0ca248e49d0aa0ee9d0619c1d239ba5a0d4adcab02ad7f7d9e6165/Klubovna-Flaviu_Rogojan-04_web.jpg" data-mid="174828306" border="0"  src="https://freight.cargo.site/w/1000/i/45ab57561c0ca248e49d0aa0ee9d0619c1d239ba5a0d4adcab02ad7f7d9e6165/Klubovna-Flaviu_Rogojan-04_web.jpg" /&#62;
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Inter-structures&#38;nbsp;21. 09. 2017 ‒ 09. 11. 2017curated by: Stine Hollmannat City Gallery, Kunstverein Wolfsburg, Germany




&#60;img width="1728" height="2304" width_o="1728" height_o="2304" data-src="https://freight.cargo.site/t/original/i/61539c61209471261a45511a64ba2e4bf38f0764cf74eb7b72efe6e694f656e7/DSCF8159.jpg" data-mid="174828425" border="0"  src="https://freight.cargo.site/w/1000/i/61539c61209471261a45511a64ba2e4bf38f0764cf74eb7b72efe6e694f656e7/DSCF8159.jpg" /&#62;
&#60;img width="1649" height="2199" width_o="1649" height_o="2199" data-src="https://freight.cargo.site/t/original/i/11b6a7a7dff4889aa970fe13631d48696b32f69d09d961bfb5b3d29fc09c57e1/DSCF8145.jpg" data-mid="174828427" border="0"  src="https://freight.cargo.site/w/1000/i/11b6a7a7dff4889aa970fe13631d48696b32f69d09d961bfb5b3d29fc09c57e1/DSCF8145.jpg" /&#62;
&#60;img width="2284" height="1713" width_o="2284" height_o="1713" data-src="https://freight.cargo.site/t/original/i/7eea4ec788507b5aef6cad450adf304f9e288c255a582542b94e44179fec5dd3/DSCF8152.jpg" data-mid="174828424" border="0"  src="https://freight.cargo.site/w/1000/i/7eea4ec788507b5aef6cad450adf304f9e288c255a582542b94e44179fec5dd3/DSCF8152.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>In Orbit</title>
				
		<link>https://flaviurogojan.com/In-Orbit</link>

		<pubDate>Wed, 05 Apr 2023 18:29:04 +0000</pubDate>

		<dc:creator>Flaviu Rogojan</dc:creator>

		<guid isPermaLink="true">https://flaviurogojan.com/In-Orbit</guid>

		<description>&#60;img width="3840" height="1918" width_o="3840" height_o="1918" data-src="https://freight.cargo.site/t/original/i/f294f2af411c6b7052c350da62cc336cdf736331291f81d92b0ed0abcd9a8baf/Screenshot-2023-04-11-at-01-04-45-In-Orbit.png" data-mid="174869046" border="0"  src="https://freight.cargo.site/w/1000/i/f294f2af411c6b7052c350da62cc336cdf736331291f81d92b0ed0abcd9a8baf/Screenshot-2023-04-11-at-01-04-45-In-Orbit.png" /&#62;In Orbit, 2023
Audio story &#38;amp; website, ink drawings, sourced images, sound, music.
	
Does a robot’s death make it, somehow, feel more “human” to us? Based on the real-life story of a space probe NASA lost contact with in 2013, this audio piece blends scientific fact and speculative fiction to imagine the probe's current existence and newfound life cycles in orbit. Spanning space and time, this story follows the ticking of the cosmos from the first charted comets and their movements to that one fateful day where a robot’s clock began to show the wrong time.
Project website:

http://inorbit.cargo.site

&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/a52eb2e8bb937142d2f27690e81a38b115e0dfeb4e4164a80ea19ed7ced0a11d/5---Flaviu-Rogojan--In-Orbit--2023.png" data-mid="174830360" border="0"  src="https://freight.cargo.site/w/1000/i/a52eb2e8bb937142d2f27690e81a38b115e0dfeb4e4164a80ea19ed7ced0a11d/5---Flaviu-Rogojan--In-Orbit--2023.png" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/c39ec0ac264fd3ec6f112c9bd201ce2f725dba86fcf7d1ff0d6a7fa77ca5e1a3/3---Flaviu-Rogojan--In-Orbit--2023.png" data-mid="174830358" border="0"  src="https://freight.cargo.site/w/1000/i/c39ec0ac264fd3ec6f112c9bd201ce2f725dba86fcf7d1ff0d6a7fa77ca5e1a3/3---Flaviu-Rogojan--In-Orbit--2023.png" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/f09833aa776eedef046f3471ba037c576135356f13771c86e4385a4f806e0723/1---Flaviu-Rogojan--In-Orbit--2023.png" data-mid="174830356" border="0"  src="https://freight.cargo.site/w/1000/i/f09833aa776eedef046f3471ba037c576135356f13771c86e4385a4f806e0723/1---Flaviu-Rogojan--In-Orbit--2023.png" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/46581283154228183ad4769fae92595efff79c6012d8c964fabc4a01d02fa286/2---Flaviu-Rogojan--In-Orbit--2023.png" data-mid="174830357" border="0"  src="https://freight.cargo.site/w/1000/i/46581283154228183ad4769fae92595efff79c6012d8c964fabc4a01d02fa286/2---Flaviu-Rogojan--In-Orbit--2023.png" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/1f4a3c3e9a50f3973de8d0e361e64ef23cfb071daa8a24d0fc59706ead285c40/4---Flaviu-Rogojan--In-Orbit--2023.png" data-mid="174830359" border="0"  src="https://freight.cargo.site/w/1000/i/1f4a3c3e9a50f3973de8d0e361e64ef23cfb071daa8a24d0fc59706ead285c40/4---Flaviu-Rogojan--In-Orbit--2023.png" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b433fb38dff912d3a1aad5902c167ecbee22a932c35227ab42b7c927e5ca5cf7/Tempel-Diary.png" data-mid="174830425" border="0"  src="https://freight.cargo.site/w/1000/i/b433fb38dff912d3a1aad5902c167ecbee22a932c35227ab42b7c927e5ca5cf7/Tempel-Diary.png" /&#62;
&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/074d75e602d62071caf5bdfb427e1e5ca013f29a67beb0a665912464377f179e/Galileo.png" data-mid="174830423" border="0"  src="https://freight.cargo.site/w/1000/i/074d75e602d62071caf5bdfb427e1e5ca013f29a67beb0a665912464377f179e/Galileo.png" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>Bagheera</title>
				
		<link>https://flaviurogojan.com/Bagheera</link>

		<pubDate>Wed, 05 Apr 2023 18:29:03 +0000</pubDate>

		<dc:creator>Flaviu Rogojan</dc:creator>

		<guid isPermaLink="true">https://flaviurogojan.com/Bagheera</guid>

		<description>&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/f5faaf2c9c6a1857e7f3c9e086cbfc6d9158bddf6abefa29b4d6fd161b2eba60/13.-TRIUMF-AMIRIA--Simti-Aluneci-Canti-Flaviu-Rogojan-.jpg" data-mid="174379213" border="0"  src="https://freight.cargo.site/w/1000/i/f5faaf2c9c6a1857e7f3c9e086cbfc6d9158bddf6abefa29b4d6fd161b2eba60/13.-TRIUMF-AMIRIA--Simti-Aluneci-Canti-Flaviu-Rogojan-.jpg" /&#62;
	

Bagheera, 2021Dye transfer and ink on cotton paper100 cm x 70 cm &#38;amp; 20 cm x 30 cm 100 cm x 70 cm &#38;amp; 20 cm x 40 cm

Triumf Amiria - You Feel and Drift and Sing →04. 12. 2021 ‒ 19. 01. 2022curated by: Kilobase Bucharest (Dragoș Olea &#38;amp; Sandra Demetrescu) →at Combinatul Fondului Plastic, Bucharest, Romania


 


    
	


In the 1960s and 1970s series of animated shorts titled Adventures of Mowgli, the soviet adaptation of Rudyard Kipling's Jungle Book, the character Bagheera plays the role of the friend, protector and mentor to the “man-cub” Mowgli. The films portray Bagheera as female, changing the gender from
the original story, and following the Russian translation by Nina Daruzes. This may be related to the fact that the Russian word for "panther" is a feminine noun, and a name ending with 'a' is considered to be a female name in the Russian language. While most of Disney's versions of the Jungle Book stick to a male protector figure, in the various other film and theater adaptations that followed, the panther's gender is freely explored.
In the two drawings I redraw Bagheera's fluid motion from the frames of a scene in the soviet animation as she jumps across the top of the jungle trees when chased by Mowgli. At this point in the story she is teaching Mowgli a valuable lesson: that he should not be limited by his identity as a
wolf cub, acting as a wolf and running on all fours, but accept his identity as a human too. She allows him climb up the trees and frees him from a conforming and one-dimensional role in the
pack.
The background is first hand drawn and then multiplied. The repeated landscape and drawn out series of panther drawings extend a short moment in time and space. 
The poem draws words from a scientific article the first documented black panther sighting in Kenya in 100 years, role-playing game character creation rules, metaphors from Rudyard Kipling's
Jungle Book, and a line that Bagheera says to Mowgli.




</description>
		
	</item>
		
		
	<item>
		<title>Cheat Codes</title>
				
		<link>https://flaviurogojan.com/Cheat-Codes</link>

		<pubDate>Mon, 10 Apr 2023 15:49:49 +0000</pubDate>

		<dc:creator>Flaviu Rogojan</dc:creator>

		<guid isPermaLink="true">https://flaviurogojan.com/Cheat-Codes</guid>

		<description>&#60;img width="5062" height="3375" width_o="5062" height_o="3375" data-src="https://freight.cargo.site/t/original/i/9d058b9ce4ed1cca79925607f271db93db100f9f844299f7d1e72fc71420309b/Klubovna-Flaviu_Rogojan-08_print.jpg" data-mid="174831070" border="0"  src="https://freight.cargo.site/w/1000/i/9d058b9ce4ed1cca79925607f271db93db100f9f844299f7d1e72fc71420309b/Klubovna-Flaviu_Rogojan-08_print.jpg" /&#62;
	



Cheat Codes (Money), 2013 Inkjet print on found old paper4 pages 15 cm x 21 cm each



	




Many video games revolve around managing limited resources,
getting the right amount of in-game money, gold, or other fictional currencies that you then spend to advance in your
game. Many single player games have a hidden built-in function
that accepts the input of so called cheat codes, secret formulas that grant the player unfair advantages. One function, common
to many game universes, is to cheat your way into having more
money.
I went through a database of thousands of video games and
selected all cheat codes that give you an unlimited supply of money, thus writing a list that is a poem made up of synonyms,
magic words that give you infinite funds, each line corresponding
to a different video game.
I write a four page poem made up of bits of code, mythological
references, random words and inside jokes. Each line is a cheat
code from a different video game, a type of magic formula that, when introduced in a single-player game, grants the player an
unlimited supply of money, gold or other fictional currencies.
Taking inspiration from visual poetry and conceptual art, the
work on paper plays down aesthetics and invites viewers to 
read, decipher and discover connections.















shown in

Future Perfect #4 →01. 10. 2021 ‒ 21. 10. 2021curated by 
Mona Vătămanu &#38;amp; Florin Tudor at B5 Studio, Târgu Mureș, Romania



hax! (solo show) →03. 10. 2019 ‒ 31. 10. 2019at Galerie Klubovna, Brno, Czech Republic


Drowning in a Sea of Data (Publication)2019curated by João LaiaPublished by Casa Encendida, MadridISBN 978-840-9-08012-0




Inter-structures →21. 09. 2017 ‒ 09. 11. 2017curated by: Stine Hollmannat City Gallery, Kunstverein Wolfsburg, Germany
Dear Money (Publication)2014Published by Salonul de Proiecte, BucharestISBN 978-973-0-17836-4

	
&#60;img width="5100" height="7019" width_o="5100" height_o="7019" data-src="https://freight.cargo.site/t/original/i/0b105c9fd86164534f115aa7a48e58947ad2f0943a92f88f0cdf5d1949540e42/Flaviu_Rogojan_Cheat_Codes-1.jpg" data-mid="174831391" border="0"  src="https://freight.cargo.site/w/1000/i/0b105c9fd86164534f115aa7a48e58947ad2f0943a92f88f0cdf5d1949540e42/Flaviu_Rogojan_Cheat_Codes-1.jpg" /&#62;
&#60;img width="5100" height="7019" width_o="5100" height_o="7019" data-src="https://freight.cargo.site/t/original/i/51482122e140d046907b89109a49890b1a5586793dae23c2cc384cd13eea1b1f/Flaviu_Rogojan_Cheat_Codes-2.jpg" data-mid="174831397" border="0"  src="https://freight.cargo.site/w/1000/i/51482122e140d046907b89109a49890b1a5586793dae23c2cc384cd13eea1b1f/Flaviu_Rogojan_Cheat_Codes-2.jpg" /&#62;
&#60;img width="5100" height="7019" width_o="5100" height_o="7019" data-src="https://freight.cargo.site/t/original/i/3bbdff960554a6a0e60891507b3cccae734d18fc431d28e9333867f7019b5b09/Flaviu_Rogojan_Cheat_Codes-3.jpg" data-mid="174831403" border="0"  src="https://freight.cargo.site/w/1000/i/3bbdff960554a6a0e60891507b3cccae734d18fc431d28e9333867f7019b5b09/Flaviu_Rogojan_Cheat_Codes-3.jpg" /&#62;
&#60;img width="5100" height="7019" width_o="5100" height_o="7019" data-src="https://freight.cargo.site/t/original/i/f0c6b1e4a812bff71634221a86c17388a831758b96b929dc99e20880716c4537/Flaviu_Rogojan_Cheat_Codes-4.jpg" data-mid="174831408" border="0"  src="https://freight.cargo.site/w/1000/i/f0c6b1e4a812bff71634221a86c17388a831758b96b929dc99e20880716c4537/Flaviu_Rogojan_Cheat_Codes-4.jpg" /&#62;










</description>
		
	</item>
		
		
	<item>
		<title>Déluge</title>
				
		<link>https://flaviurogojan.com/Deluge</link>

		<pubDate>Mon, 10 Apr 2023 16:17:04 +0000</pubDate>

		<dc:creator>Flaviu Rogojan</dc:creator>

		<guid isPermaLink="true">https://flaviurogojan.com/Deluge</guid>

		<description>&#60;img width="7952" height="5304" width_o="7952" height_o="5304" data-src="https://freight.cargo.site/t/original/i/c8b1f89fde8461105f3182815ff7b2b6fea3b25563fd11a36b4108b8246c3313/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-16.JPG" data-mid="174835568" border="0"  src="https://freight.cargo.site/w/1000/i/c8b1f89fde8461105f3182815ff7b2b6fea3b25563fd11a36b4108b8246c3313/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-16.JPG" /&#62;

	Small Assymetriad, 2021 Dye Transfer on Paper70 cm x 51 cm
	Octopucker, 2021Dye Transfer on Paper95 cm x 70 cm




shown in 

Déluge →

Hortensia Mi Kafchin, Flaviu Rogojan14. 05. 2021 - 27. 06. 2021Zina Gallery, Cluj, Romania 
    
	The series of drawings aims to work as a cross-over fan-fiction, which mixes and connects fictional worlds of multiple different literary sources, all of which revolve around floods, flooded worlds, and sentient
oceans.
The conscious planet-wide ocean in Stanislaw Lem’s Solaris is known to produce intricate liquid structures. The scientists studying the planet developed methodologie and taxonomies for the different manifestations of the ocean. In my fan-fiction series, the Solaris ocean dreams up the world and spawns the structures of a lesser known animation series, called Pirates of Dark Water. Taking off where the world-building of Pirates of Dark Water abruptly ended, I retrace and redraw elements from an obscure Pirates of Dark Water role playing game manual using the taxonomies of Solaris oceanography. Besides the scientific methods
described and critiqued in Lem’s novel, the works also reference outdated scientific texts on fossils and the historical flooded-earth hypothesis. The flood trope is explored
beyond its biblical and historical world view, as a potential for
world-building.
Ongoing project: For this series of works I plan to organize reading groups and role-playing game events, where participants would
combine the waters of multiple sources (fictional or historical)
of flood narratives. The resulting fictions that come out of the collective storytelling of role-playing become the basis for new cross-overs and fan-fictions.





	&#60;img width="3965" height="5944" width_o="3965" height_o="5944" data-src="https://freight.cargo.site/t/original/i/d725a693be80f43503bb6a1263a3999f8eff3dcdde9378ea9922e12cca89892d/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-55-2.JPG" data-mid="174835571" border="0"  src="https://freight.cargo.site/w/1000/i/d725a693be80f43503bb6a1263a3999f8eff3dcdde9378ea9922e12cca89892d/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-55-2.JPG" /&#62;


	Assymetriad, 2021Dye Transfer on Paper100 cm x 57 cm



	&#60;img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/266df6503dd961c5759ddfbe69381d5a93a55e88752c7a266d7f087ed56b8903/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-41.JPG" data-mid="174835566" border="0"  src="https://freight.cargo.site/w/1000/i/266df6503dd961c5759ddfbe69381d5a93a55e88752c7a266d7f087ed56b8903/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-41.JPG" /&#62;
	

Deluge Earth, 2021Dye Transfer on Paper69 cm x 42 cm



	&#60;img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/2d01517b2d691dcb960c0ca4ba54f6f1eb06d03a56871ffa6c7e0fe2283359d6/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-29.JPG" data-mid="174835570" border="0"  src="https://freight.cargo.site/w/1000/i/2d01517b2d691dcb960c0ca4ba54f6f1eb06d03a56871ffa6c7e0fe2283359d6/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-29.JPG" /&#62;
	Octopon Symmetriad, 2021Dye Transfer on Paper25 cm x 21 cm




	&#60;img width="7905" height="5273" width_o="7905" height_o="5273" data-src="https://freight.cargo.site/t/original/i/a31de345885690f732125194fc639dee7c2196608768db5b26947cee07980b96/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-43.JPG" data-mid="174835569" border="0"  src="https://freight.cargo.site/w/1000/i/a31de345885690f732125194fc639dee7c2196608768db5b26947cee07980b96/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-43.JPG" /&#62;
	

Dark Water (I), 2021Dye Transfer on Paper &#38;amp; Trilobite Fossil21 cm x 15 cm




	&#60;img width="7905" height="5273" width_o="7905" height_o="5273" data-src="https://freight.cargo.site/t/original/i/0bdc33f8a75d792ebf4e4ea11ef5058f04e59b449869f56fcf08fc5fb1a1c465/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-65.JPG" data-mid="174835567" border="0"  src="https://freight.cargo.site/w/1000/i/0bdc33f8a75d792ebf4e4ea11ef5058f04e59b449869f56fcf08fc5fb1a1c465/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-65.JPG" /&#62;
	Dark Water (II), 2021 Dye Transfer on Paper &#38;amp; Local Sealife Fossils21 cm x 15 cm


Details &#38;amp; Exhbition views at Zina Gallery, Cluj, Romania


&#60;img width="7870" height="5249" width_o="7870" height_o="5249" data-src="https://freight.cargo.site/t/original/i/c3179c15a26848e94ebf5fe035972c51593f2f65b8d938d8cf65bcc13a8bfac1/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-7.JPG" data-mid="174835141" border="0"  src="https://freight.cargo.site/w/1000/i/c3179c15a26848e94ebf5fe035972c51593f2f65b8d938d8cf65bcc13a8bfac1/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-7.JPG" /&#62;
&#60;img width="7889" height="5262" width_o="7889" height_o="5262" data-src="https://freight.cargo.site/t/original/i/aacad548d89fc42b90caf90c498fea68c4f57f84269b622fdede3363ab1b0494/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-22.JPG" data-mid="174835143" border="0"  src="https://freight.cargo.site/w/1000/i/aacad548d89fc42b90caf90c498fea68c4f57f84269b622fdede3363ab1b0494/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-22.JPG" /&#62;
&#60;img width="2507" height="1672" width_o="2507" height_o="1672" data-src="https://freight.cargo.site/t/original/i/586337b900d3e59838d6fdb48a85133f48af22ebe83f21bab7b8861300cf69dc/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-33.JPG" data-mid="174835146" border="0"  src="https://freight.cargo.site/w/1000/i/586337b900d3e59838d6fdb48a85133f48af22ebe83f21bab7b8861300cf69dc/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-33.JPG" /&#62;
&#60;img width="7906" height="5273" width_o="7906" height_o="5273" data-src="https://freight.cargo.site/t/original/i/2dedaa6804a3c881fa49eaa889ce2460ddf129383908fa015bfc8ae9b873e3c5/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-64.JPG" data-mid="174835155" border="0"  src="https://freight.cargo.site/w/1000/i/2dedaa6804a3c881fa49eaa889ce2460ddf129383908fa015bfc8ae9b873e3c5/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-64.JPG" /&#62;
&#60;img width="6812" height="4544" width_o="6812" height_o="4544" data-src="https://freight.cargo.site/t/original/i/759d4d02a8c148153402fa83b481faf97706c652794f4d0d5c62f148081f3a11/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-56.JPG" data-mid="174835154" border="0"  src="https://freight.cargo.site/w/1000/i/759d4d02a8c148153402fa83b481faf97706c652794f4d0d5c62f148081f3a11/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-56.JPG" /&#62;
&#60;img width="5253" height="7876" width_o="5253" height_o="7876" data-src="https://freight.cargo.site/t/original/i/5ff2eb1103a2faa9b0adc34ea848a7b138c311ef9ea05264421433923aa08c51/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-44.JPG" data-mid="174835150" border="0"  src="https://freight.cargo.site/w/1000/i/5ff2eb1103a2faa9b0adc34ea848a7b138c311ef9ea05264421433923aa08c51/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-44.JPG" /&#62;
&#60;img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/23b48c6e8490eb4760dd518666edb5aacfa67ebfdae7804319c57a5860e85469/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-67.JPG" data-mid="174835158" border="0"  src="https://freight.cargo.site/w/1000/i/23b48c6e8490eb4760dd518666edb5aacfa67ebfdae7804319c57a5860e85469/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-67.JPG" /&#62;
&#60;img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/09d38dbbe0be286e3c08ddfd020c6a558be35b231f87c1b00c52106495a2e207/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-45.JPG" data-mid="174835151" border="0"  src="https://freight.cargo.site/w/1000/i/09d38dbbe0be286e3c08ddfd020c6a558be35b231f87c1b00c52106495a2e207/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-45.JPG" /&#62;
&#60;img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/2dc208a4083e1817896d7e940ccc896a6f004d1e7de135ce47ec271ab74e4bb1/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-30.JPG" data-mid="174835145" border="0"  src="https://freight.cargo.site/w/1000/i/2dc208a4083e1817896d7e940ccc896a6f004d1e7de135ce47ec271ab74e4bb1/Deluge-HortensiaMiKafchinandFlaviuRogojan-ZinaGallery2021-30.JPG" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Mirai</title>
				
		<link>https://flaviurogojan.com/Mirai</link>

		<pubDate>Mon, 10 Apr 2023 23:31:45 +0000</pubDate>

		<dc:creator>Flaviu Rogojan</dc:creator>

		<guid isPermaLink="true">https://flaviurogojan.com/Mirai</guid>

		<description>&#60;img width="2048" height="1496" width_o="2048" height_o="1496" data-src="https://freight.cargo.site/t/original/i/3e76faeff617907f15f3a6276730d9189e045f84703c9568a2af48b22bba3d64/IMG_3824.JPG" data-mid="174876997" border="0"  src="https://freight.cargo.site/w/1000/i/3e76faeff617907f15f3a6276730d9189e045f84703c9568a2af48b22bba3d64/IMG_3824.JPG" /&#62;
	



Mirai (I), 2017 Screenprint on paper &#38;amp; inkjet print on transparent PVC59 cm x 84 cm

Mirai (II), 2017 Screenprint on paper &#38;amp; inkjet print on transparent PVC59 cm x 84 cm













 


    
	




Did your smart thermostat contribute to last week’s big cyberattack?


Oct 2016: a hacker named Anna-Senpai releases the source-code of one of the most effective malware that targets IoT devices, Mirai (未来). It gains control of tens of thousands routers, security cameras, and other smart devices by bruteforce guessing their admin username and password. Anyone with a few hours spare time can now create their own botnet by following Mirai tutorials on Youtube.
In a leaked skype chat between Anna-Senpai and one of his cyberattack victims they talk internet security and eventually end up discussing anime. He admits to naming his virus after the anime series Mirai Nikki.











	 
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/0fe7d424f3b82b9029c681d17f40ab6df2c98220da96f464213850b179953087/Flaviu-R-Serigrafie-A4-300dpi-1.png" data-mid="174876952" border="0"  src="https://freight.cargo.site/w/1000/i/0fe7d424f3b82b9029c681d17f40ab6df2c98220da96f464213850b179953087/Flaviu-R-Serigrafie-A4-300dpi-1.png" /&#62;

	

root root root adminRoot root root root root root supportroot admin rootroot useradmin root admin root admin admin root root root root Administrator servicesupervisorguestguest guest admin1 administrator 666666888888ubntroot root root root root root root root root root root root root root admin admin admin admin admin admin admin admin admin techmother


	


	xc3511vizxvadminadmin888888xmhdipcdefaultjuantech12345654321support(none)passwordroot12345user(none)passadmin12341111smcadmin1111666666password1234klv123adminservicesupervisorguest1234512345password1234666666888888ubntklv1234Zte521hi3518jvbzdankozlxx.7ujMko0vizxv7ujMko0adminsystemikwbdreamboxuserrealtek01111111123412345543211234567ujMko0admin1234passmeinsmtechfucker






[5:25:12 PM] live:anna-senpai: i rewatched mirai nikki recently[5:25:22 PM] live:anna-senpai: (it was the reason i named my bot mirai lol)[5:25:32 PM] katie.onis: I've rewatched it 3 times with 2 different friends haha[5:25:32 PM] live:anna-senpai: have you seen?[5:25:37 PM] live:anna-senpai: damn lol[5:25:45 PM] live:anna-senpai: gasai yuno is a psycho bitch[5:25:48 PM] live:anna-senpai: lol[5:25:55 PM] katie.onis: i'd go for her[5:25:59 PM] katie.onis: even knowing how she is[5:26:01 PM] katie.onis: :3[5:26:19 PM] live:anna-senpai: (dream)[5:26:20 PM] live:anna-senpai: lol[5:26:32 PM] katie.onis: haha ;D[6:22:03 PM] live:anna-senpai: well anyway, going to go get drunk and watch anime, you are cool guy, im sorry for trouble lol. i add your prefixes to whitelist[7:12:44 PM] katie.onis: wow thanks a lot[7:12:59 PM] katie.onis: didn't actually expect that, nice to meet you :D[7:13:09 PM] katie.onis: have fun
	
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/819d75d8cf6d8933c0346b6a66d5e31fb4080a7dfc45c13a5c73e1fdbed69a0f/Flaviu-R-Serigrafie-A4-300dpi-2.png" data-mid="174876953" border="0"  src="https://freight.cargo.site/w/1000/i/819d75d8cf6d8933c0346b6a66d5e31fb4080a7dfc45c13a5c73e1fdbed69a0f/Flaviu-R-Serigrafie-A4-300dpi-2.png" /&#62;







shown in&#38;nbsp;


Internet of Ki →

24. 11. 2017 - 24. 02. 2018kinema Ikon, Arad Art Museum, Arad, Romania

hax! (solo show) →
03. 10. 2019 ‒ 31. 10. 2019at Galerie Klubovna, Brno, Czech Republic

The Museum Affair →

17. 10. 2019 - 13. 12. 2019curated by Cristina Curcan and Mihai Iepure-Gorskiorganised by The Paintbrush Factory Etnographic Museum Cluj, Romania
 
    
	




&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/68efbe9408aa68650d523406ae583462da47967f2d230f3285b8bcba54fbb6ea/IMG_3790.JPG" data-mid="174876954" border="0"  src="https://freight.cargo.site/w/1000/i/68efbe9408aa68650d523406ae583462da47967f2d230f3285b8bcba54fbb6ea/IMG_3790.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5c22841a194be12c60dd1a6892da58e1684e2e704f9d5e2393be203af2e479e4/IMG_3826.PNG" data-mid="174876956" border="0"  src="https://freight.cargo.site/w/1000/i/5c22841a194be12c60dd1a6892da58e1684e2e704f9d5e2393be203af2e479e4/IMG_3826.PNG" /&#62;
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/71c013acf7208daf9b088c2d808c7c0f49ff6e87c3f9c3be3f9578f1ea61023a/Klubovna-Flaviu_Rogojan-03_web.jpg" data-mid="174876970" border="0"  src="https://freight.cargo.site/w/1000/i/71c013acf7208daf9b088c2d808c7c0f49ff6e87c3f9c3be3f9578f1ea61023a/Klubovna-Flaviu_Rogojan-03_web.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Millions of Ruins</title>
				
		<link>https://flaviurogojan.com/Millions-of-Ruins</link>

		<pubDate>Mon, 10 Apr 2023 15:57:49 +0000</pubDate>

		<dc:creator>Flaviu Rogojan</dc:creator>

		<guid isPermaLink="true">https://flaviurogojan.com/Millions-of-Ruins</guid>

		<description>&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/8943d99c7f9e548f2e649c1e9548d37ac2b1efef1f7aa9dc40656e2f2763bbbc/Quadro---2021-06-01-Millions-of-ruins-expo-view---0052web.jpg" data-mid="174832693" border="0"  src="https://freight.cargo.site/w/1000/i/8943d99c7f9e548f2e649c1e9548d37ac2b1efef1f7aa9dc40656e2f2763bbbc/Quadro---2021-06-01-Millions-of-ruins-expo-view---0052web.jpg" /&#62;
	



Cybersyn UI, 2021Dye transfer on cotton paper70 cm x 50 cm


	

Cybersyn UX, 2021Dye transfer on cotton paper70 cm x 50 cm












shown in:
Millions of Ruins →

28. 05. 2021 - 23. 07. 2021group show by: Flaviu Rogojan, Thea Lazăr, Adrian Ganea
Galeria Quadro, Cluj, Romania






 


    
	




Excerpt from Millions of Ruins curatorial text:Following times of unease and crysis, the promised return to normalcy is a look back through rose-colored glasses to a recent past. For the generations of young artists today, the
1990s and 2000s are made up of nostalgic optimisms and broken promises; the ruins of
those years still haunt our contemporary society. 
Growing up on simulated historical narratives in video games, the fantasy timelines and digital landscapes form a collective memory filled with hyper-romanticized and misquoted
pasts. Other places, like The Internet Archive’s library, house millions of websites, software, books, images, and more; these collections of digitized assets are our current digital
histories, today’s ruins to explore.
The exhibition is a throwback to the era that internet companies competed for turbo speeds, the economy went through turbo inflation and then emerged in turbo capitalism, we 
imported fast cars in turbo gum and turbo diesel, all these moments - lost in time, like tears
in rain. [...]
20th century cybernetic dreams and Web 2.0 taglines guide Flaviu Rogojan’s journey through the old cyberspace. A place of many hopes for what an online public space without privacy
could have been, at a time yet untainted by our current online anxieties.Reviving a romantic approach and fascination for decay, the artists turn ruins into privileged
spaces, which simultaneously invoke reactions of nostalgia and sublimity.


	
&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/5ab7c90e8859b96f979bec230e6c404e30683e2493f4d62ac98ef95f704baede/Quadro---2021-06-01-Millions-of-ruins-expo-view---0143web.jpg" data-mid="174832702" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/5ab7c90e8859b96f979bec230e6c404e30683e2493f4d62ac98ef95f704baede/Quadro---2021-06-01-Millions-of-ruins-expo-view---0143web.jpg" /&#62;

Time Magazine’s Person of the Year 2006, 2021Dye transfer and acrylic paint on paper30 cm x 21 cm




	&#60;img width="5119" height="7285" width_o="5119" height_o="7285" data-src="https://freight.cargo.site/t/original/i/3e09978a55903c8adaf304ab9e72ac8652ad56d991abb0b7c70f806da60079d5/img049.jpg" data-mid="174832692" border="0"  src="https://freight.cargo.site/w/1000/i/3e09978a55903c8adaf304ab9e72ac8652ad56d991abb0b7c70f806da60079d5/img049.jpg" /&#62;


Preliminary drawing for Cybersyn UX, 2021 Ink on Paper


30 cm x 21 cm


Letanía para una computadora y para un niño que va a nacer, 2021Featuring the voice of: Ari TortoleroSlowed down cover song08’ 02”


&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/8943d99c7f9e548f2e649c1e9548d37ac2b1efef1f7aa9dc40656e2f2763bbbc/Quadro---2021-06-01-Millions-of-ruins-expo-view---0052web.jpg" data-mid="174832693" border="0"  src="https://freight.cargo.site/w/1000/i/8943d99c7f9e548f2e649c1e9548d37ac2b1efef1f7aa9dc40656e2f2763bbbc/Quadro---2021-06-01-Millions-of-ruins-expo-view---0052web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/8bfbd9e4fb8a560d2082d3b9daee79aaae4338204754fac88dd2c816428b702a/Quadro---2021-06-01-Millions-of-ruins-expo-view---0129web.jpg" data-mid="174832700" border="0"  src="https://freight.cargo.site/w/1000/i/8bfbd9e4fb8a560d2082d3b9daee79aaae4338204754fac88dd2c816428b702a/Quadro---2021-06-01-Millions-of-ruins-expo-view---0129web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/89a0f6e3e884913c6c9f83fc08868fc6142152d8c7aac459e409ebc5015f995d/Quadro---2021-06-01-Millions-of-ruins-expo-view---0054web.jpg" data-mid="174832694" border="0"  src="https://freight.cargo.site/w/1000/i/89a0f6e3e884913c6c9f83fc08868fc6142152d8c7aac459e409ebc5015f995d/Quadro---2021-06-01-Millions-of-ruins-expo-view---0054web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/0e2ab0a74b0f80193e102d516fa4a2f1753cd1a248a87ecba890efe17cf4f9be/Quadro---2021-06-01-Millions-of-ruins-expo-view---0056web.jpg" data-mid="174832696" border="0"  src="https://freight.cargo.site/w/1000/i/0e2ab0a74b0f80193e102d516fa4a2f1753cd1a248a87ecba890efe17cf4f9be/Quadro---2021-06-01-Millions-of-ruins-expo-view---0056web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/1bcdb4dddbe74de1aebdf2711b62b392ef5a07ddd89178dc67e852a9486c2d2f/Quadro---2021-06-01-Millions-of-ruins-expo-view---0068web.jpg" data-mid="174832697" border="0"  src="https://freight.cargo.site/w/1000/i/1bcdb4dddbe74de1aebdf2711b62b392ef5a07ddd89178dc67e852a9486c2d2f/Quadro---2021-06-01-Millions-of-ruins-expo-view---0068web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/5e5fae5b23e39defa3296a28637b123f82150324f5acef341c253c479319f984/Quadro---2021-06-01-Millions-of-ruins-expo-view---0131web.jpg" data-mid="174832701" border="0"  src="https://freight.cargo.site/w/1000/i/5e5fae5b23e39defa3296a28637b123f82150324f5acef341c253c479319f984/Quadro---2021-06-01-Millions-of-ruins-expo-view---0131web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/ab4ab4f5c322ec0a4da184db307e994f36ee082646b6a1ec8467600624a46401/Quadro---2021-06-01-Millions-of-ruins-expo-view---0114web.jpg" data-mid="174832698" border="0"  src="https://freight.cargo.site/w/1000/i/ab4ab4f5c322ec0a4da184db307e994f36ee082646b6a1ec8467600624a46401/Quadro---2021-06-01-Millions-of-ruins-expo-view---0114web.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/563336afb167e6d378280555c3326105bbc81ebeb62df0b8d47f9bd51ac09a3b/Quadro---2021-06-01-Millions-of-ruins-expo-view---0019web.jpg" data-mid="174834571" border="0"  src="https://freight.cargo.site/w/1000/i/563336afb167e6d378280555c3326105bbc81ebeb62df0b8d47f9bd51ac09a3b/Quadro---2021-06-01-Millions-of-ruins-expo-view---0019web.jpg" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>Hax!</title>
				
		<link>https://flaviurogojan.com/Hax</link>

		<pubDate>Mon, 10 Apr 2023 16:28:03 +0000</pubDate>

		<dc:creator>Flaviu Rogojan</dc:creator>

		<guid isPermaLink="true">https://flaviurogojan.com/Hax</guid>

		<description>&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/9b39a99104744c1bebc22b2ca386c4d09807db66b33584b1f44ff47a9c00b521/Klubovna-Flaviu_Rogojan-12_web.jpg" data-mid="174836600" border="0"  src="https://freight.cargo.site/w/1000/i/9b39a99104744c1bebc22b2ca386c4d09807db66b33584b1f44ff47a9c00b521/Klubovna-Flaviu_Rogojan-12_web.jpg" /&#62;
	



hax! (solo show)→ 03. 10. 2019 ‒ 31. 10. 2019at Galerie Klubovna, Brno, Czech Republic




 


    
	


Flaviu Rogojan in his works uses references to technology, video games and to internet environment. He is interested in complexity of the world in which we live. Peeling off its individual layers he shows to the viewer the possible connections, or through looking
through some of them he discovers the lower ones and explores their intersections.


Exhibition hax! takes us to the world of video games and computer technology. All the works in the exhibition relate to acts of violation of the rules of the game and to frauds, by which the player or hacker gains for himself unfair advantages and power. Frauds, tricks and the benefits from them serve the author as a metaphor for unfair gain of power and
domination in the real world and society.

For the entry work of the exhibition hax! we could consider the work Cheat Codes, which at first glance could be read as a poem. A set of passwords and codes that, when applied to an appropriate game, allow a player to gain immortality or unlimited money, even knowing that the rules of the game have been violated. Translated into the scale of our contemporary
world, we could, for example, speak of situations in the context of the financial crisis at the end of the first decade of the 21st century, where governments bailed out big banks in an effort to save the situation on world markets.

The essence of the game The Grand Theft Auto (GTA) is that the player is a member of the criminal underworld and thus takes part in a number of criminal and violent acts. Although the game is in principle designed in a way that a player is the one who violates generally applicable laws, there is another dimension of bending rules by hacking the game itself. By
violating the simulated physical laws, you can avoid any resistance and control. Another type of benefits gained by cheating is the ability to see through walls (so called “wall-hacks”). In this way, you can predict the enemy's position and gain enormous competitive advantage. This hack is referenced by the semi-transparent Counter-Strike
window display.


The theme of the work Mirai is based on the author’s fascination of a hacker attack from 2016 during which a hacker gained a control over huge number of smart devices. We can see a part of the conversation between a hacker and a computer security expert that switched to the topic of manga, of which both were equally fascinated. As previous works also Mirai
treats about overlapping of the real and virtual worlds and gaining almost limitless power

through dishonest means.

Flaviu Rogojan is fascinated by power relations in real world, based on the ability to look through barriers - which is a domain not only a police and government agencies but more and more often marketing and technology companies who know a lot about us through the services they provide.

The idea of a sci-fi gun is usually such that the weapon fires a beam that hurts or kills anyone who is hit by it. The work Raygun is based on the discovery that the Light Gun for Nintendo games worked the other way around - the gun did not fire light but received it (based on a
simple camera). Now cameras can be again used as guns. Installed on a street

as a part of the surveillance system or on drones guiding the missiles can decide someone’s
fate.

* "Hax" is a term used in online multiplayer games to alert players suspected of fraud. This is a public charge that may or may not have any consequences. Hax! is a short form for hacks or hackers. The name itself can be perceived as a metaphor of general violations of the
rules in society.




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